Waldemar Matuška - Krysař (The Rat-Catcher)

 

I haven't posted here for a while (a long while), mostly because I've been either busy at work or had family issues. Apologies for that, and if you let me know that you like this blog, I will continue. I just didn't feel the need when I didn't have any followers.

However, in the current situation, a post like this might be relevant to at least a few people. 

There are plenty of Czech songs that reflect on the invasion of 1968, and I picked this one because I believe it reflects perfectly on current events as well. History repeats itself, unfortunately.

That being said, our Ukrainian brothers are putting up a fight that we were not capable of, they are the true heroes. The men who put their lives at risk at the front, the women who are strong enough to leave their husbands behind and take a step into the unknown, moving their children to a foreign country, often without any contact there, and everybody else who are just trying to survive in what looks like an apocalypse.

Sláva Ukrajině!

The song is a cover of Hugues Aufray's Le joueur de pipeau (The Pied Piper), Czech text was written by Ivo Fischer. It was recorded just a year before the invasion of the Warsaw Pact (mostly Soviet) armies in 1968, and it is harrowing in retrospect. And in present times, alas.

Karel Kryl - Jeřabiny (Rowanberries)

Alright, so I've decided to kick this site off with a post about my absolute favourite singer-songwriter of all time. Karel Kryl's (1944-1994) speciality were protest songs - "he identified and attacked the stupidity and inhumanity of the Communist and later also post-communist regimes in his home country," reads the introduction of his Wikipedia entry, and continues:

"The lyrics of Karel Kryl's songs are highly poetic and sophisticated, with a frequent use of metaphors and historical allusions. The sparse sounds of an accompanying acoustic guitar served to underscore the natural flow of the lyrics themselves. In certain respects—especially the complexity of his lyrics and his accompaniment by a single acoustic guitar—Kryl was similar to a young Bob Dylan. However, unlike Dylan, the Czech singer had a smooth and pure voice, which gave a hauntingly sad quality to his mournful lyrics. He was bitterly critical of the new regime established after the collapse of communism in his country, including of Václav Havel, and those who were responsible for the destruction of Czechoslovakia in 1992."

Jeřabiny (Rowanberries) is one of Kryl's most famous songs, and also one of the earliest. It was first published on his debut album, Bratříčku, zavírej vrátka (Close the Gate, Little Brother), in 1969 - shortly after the Warsaw Pact invasion of Czechoslovakia. The album's cover was originally supposed to be Josef Koudelka's photo of two dead bodies in a passageway, covered by the Czechoslovak flag from August 1968, but the publishers feared that it would get banned by the censors. Another Koudelka's photo was then chosen instead - again, from August 1968 - of a boy sitting on a street in Prague, with a bullseye drawn on his back.